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Trane. A love supreme.
Mystic, magician, high priest.
Concentration wasn't his problem (just
look at the pictures - you can see it in the furrowed brow). What
made Coltrane so melifluous and abstract at the same time? Why so
compelled to break things down and start all over? Where is the
bridge between 'My Favorite Things' and the frenetic, obtuse division
of the album 'Transition', which just rips with desire primordial
to restate the issue? Is it defiance? Discomfort?
Coltrane certainly seemed uncomfortable,
in his own stolid and steaming, slow burning way. But it wasn't
with himself. Moreso, I feel it was with the paradoxical situation
of constantly searching for the declaration of an identity, and
through the guise of a medium that necessitates change. He put it
this way once: "Music, being an expression of the heart, or
of human being itself, expresses what is actually happening at the
moment...I take off from one point and then go as far as possible."
As a result, he often exhausted himself.
The different periods of intense creation (Coltrane with Duke Ellingtion,
Coltrane with McCoy Tyner and Elvin Jones, Coltrane with Miles,
Coltrane with Eric Dolphy, to name but a few) needed to be levelled
off by pauses. It was his mother who brought him back nearly from
the dead when he was suffering through the cold turkey aftermath
of heroin addiction. He got through it, but all of this adds up
to a short fuse. People who burn through so much in such a brief
period of time often live short lives, and Coltrane died shortly
afterwards from a liver condition.
Perhaps the thing I like the best about
listening to Coltrane's work is that all you have to do is hear
one note. One. And you know it's John Coltrane.
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